Slavic SF, Thursday, 2-11
Today’s topic
We
will discuss our first Czech(oslovak) cultural artifact, Karel Čapek’s play RUR—a work that gave the world the word
“robot.”
Let’s go over the quiz
first
1. The
robot factory is: (a) in Prague; (b) in Washington, DC; (c) on an island; (d) on a remote mountaintop. There is an inspiration for this that we’ll mention.
2. The robots
eventually kill all the humans: true or false.
Alquist remains alive because…
3. Helena
marries: (a) Dr. Gall; (b) a robot; (c) Alquist; (d) Domin. It’s a strange
proposal that you may even have missed while
reading.
4. Rossum’s formula
for creating robots survives: true or false.
Helena burns it.
5. What’s the twist
at the play’s end? The robots
essentially become human.
Start-of-class discussion
Let’s
talk about answers to the film’s guide questions (below) and also bring in
things you learned about Karel Čapek from our Canvas page about him. Who wants
to contribute?
1.
What does RUR stand for and what’s its history?
2.
Who is Helena and what is her relationship to RUR
and to the other characters?
3.
What happens to the robots and why? What happens to
the human characters?
4.
How do you read the message(s) of this play?
5.
How does this work fit into Suvin’s framework for SF
as cognitive estrangement?
Some introductory quotes about our author
“In Čapek, any high-minded idea leads
necessarily to huge disasters, and one should stick to the pragmatic immediacy
of people believing in other people” (Harkins, who was one of his English-
language biographers).“Čapek, along
with Zamyatin, is the most significant interwar SF writer” (Suvin).
“Čapek’s
play [RUR] is, in my opinion, a
terribly bad one, but it is immortal for that one word” (Isaac Asimov).
Čapek’s writing
He
was an engaged writer: he detested art-for-art’s-sake. Art is not a space for
the self- expression of the artist, which seemed to Čapek “a monstrous piece of
presumption” on the part of the artist, but rather is a space for the
expression of ideas.
Art, in other
words, has a key sociocultural role to play.
In his early work, he
wrote with his brother Josef. Common themes in this early work include
industrial capitalism, the mechanization of human being in the modern era,
love, socialism, poverty, life and death.
The
main question for the brothers Čapek was: is modern industrial civilization a
blessing or does it instead destroy aesthetical and ethical values?
You won’t be
surprised to learn that another theme in their work was also…
Other SF works by Čapek
1. The Insect Play (play, 1921)
2.
The Makropulos
Affair (play, 1922, which was turned into a famous opera by Leoš Janáček)
3.
The Absolute at
Large (novella, 1922, which is on the list for your final project)
4. Krakatit (novella, 1922, which is on
the list for your final project)
5. War with the Newts (novella, 1936, which we’ll
be reading)
Contextualizing the play: its era
It
was published in 1920 and first performed in 1921. It was written immediately
following World War I during which Europe had seen, in the words of one
scholar, “the horror which human society could create in the name of absolute
ideas and slogans.” As one critic notes, the play is attempt to “frame the
great questions of its age.”
RUR is Čapek’s response to
that. It is a kind of “collective drama” of humanity.
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